Central School Of Ballet


Stories from the Ballet Central tour… Spotlight on dancer, Natsuho Matsumoto

Calendar Posted 7 June 2019

What has been the highlight of touring with Ballet Central?

I have really enjoyed the range of performing experiences we gain with Ballet Central. Being able to see the audience and how much they enjoyed our performance very closely is rewarding. And working hard with friends as a team means we have developed a sense of unity which I believe has improved our performance. It’s exciting on stage and off stage. We have to do other jobs besides dancing including the get-in and get-out at each venue we visit. It’s helpful to learn how much effort is involved in putting on a show.

Travelling outside of London has been such an exciting experience too. I have very few opportunities to get out of London other than the tour, so it has been lovely to see some more of England.

What are the roles you perform, and which are your favourites, and why?

I have performed Louise in Carousel Dances, and the roles of one of the lovers and the Enchanted Bird in 'House of Birds'. I have also performed in (in between) and Valses Nobles et Sentimentales. My favourite role is Louise in Carousel Dances because the performance requires the dancer to express a great range of emotions and there’s a strong story to tell. There’s a level of excitement in this piece created by other dancers (characters). It’s joyful and almost feels like as if I am actually in a circus, and living the role, which always makes me have goosebumps.

What challenges have you had to overcome on the tour?

The biggest challenge is to maintain health while we travel long distances as performance dates are close to each other. I have realised how important it is to look after myself in order to continue the hard work of performing.

Can you describe what you have learned from the touring/ performing experience that will help you in your professional career?

When it comes working professionally, I think this summarises everything that’s important: to be caring about others. This means to be helpful, to be kind to others and to look after each other, which I believe improves efficiency of the show’s preparation and how good the performance is. Having to adapt the repertoire to meet the size of the stage in different venues is a great learning experience – it’s about safety and the performance.

What has it been like to live and train in London? – Have there been any particularly challenges you have had to overcome and any highlights you would like to share?

It has been very exciting to live and train in London. Being close to major theatres means I have been able to see so many inspiring productions including newest dance performances by a variety of companies.

Looking back over the past three years of my degree I realise I have experienced both good things and challenges, but every single experience has made me grow as a person. I am glad I have spent such a precious time here in London at a key time in my life even though it has required being away from home. During the training here I have been able to have time to reflect my experiences and consider how to achieve my goals and take a step up to the next stage in my career.

Although writing essays has been hard, it has actually helped me to become an independent thinker and more sensible. Now I am about to finish my student life and I will start working professionally in a company, which I could never imagine when I first came to Central. I am incredibly thankful for my family, friends, and teachers and the staff at Central as I couldn’t come this far without their strong support.

Pictured: Natusho Matsumoto and Alexander Fadayiro performing in Christopher Marney's 'Carousel Dances'.

The Ballet Central tour continues to tour across the UK until 20 July. Find your nearest venue and book now: www.balletcentral.co.uk

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